Convincing Employees: Public Relations' Ugliest Public

Ten years ago, when you mentioned internal communication to most public relations professionals, the best you could hope for was a blank stare. (A blank stare was still one step up from any reaction at the mention of social media.) But it wasn't really their fault. Many of them were taught it was hands off.

"Oh no, we handle all external communication," one might nod in agreement, emphasis on external.

Conversely, internal communication was generally overseen by corporate communicators, internal communication teams, strategic communication professionals, employee relations experts, personnel from human resources, or someone from management. Public relations was rarely part of the equation, which was a bit ironic, especially in larger organizations.

As much as the media felt that public relations was a barrier between the organization and the media, many employees felt the opposite was true. Public relations professionals were the barrier between employees and the media (and sometimes the organization), especially when they asked all media calls be diverted to their department. Otherwise, the only time public relations might be in contact was when the pro needed a briefed subject matter expert for an interview or someone to sign off on a quote.

With some public relations professionals including social media within their sphere too, some people say the same thing about social media. Employees on social networks ought to refrain from writing, speaking, or talking about work. Really?

If the company thinks that employees don't get "the message" then why would they think anyone does?

In some cases, the employees know "the message" better than public relations professionals. Don't misunderstand me. I don't mean "the message" that has been carefully crafted in strategic planning meetings. I mean the message as it hits the streets.

Consider some of the BlackBerry messages out now. People are voting about it. Most reviewers are hedging their bets about it. And public relations is already weighing in with Alicia Keys. Really?

Do you know who has the real story on the likelihood BlackBerry has a chance? Employees. No, not the scripted kind. The kind who will tell it like it is — which elements were rushed, which coworkers felt pressured, what might have been said as the first round was passed around in house, and whether or not Keys is a demanding global brand guru.

Sure, most of them will keep their lips sealed for good reason. But that's the point. Any time employees can't be trusted to speak plainly about the new product, it's probably because they didn't buy into the communication that marketing and public relations developed. In some cases, they didn't even hear it.

I'm not saying that's the case for BlackBerry. My guess is most employees are hoping the hail Mary works out. If not, it's anybody's guess how long the organization can sustain itself. But for most organizations, the experiences it delivers — in terms of product performance or customer service —tell the real story.

For example, have you asked an employee if they saw a story about their story? Some are clueless and disinterested. Some are surprised and very interested. Some are knowledgable and ready to embellish it at the expense of the organization. Others will enthusiastically puff the company up. The same holds true for new product launches. Will employees secretly advise waiting for the updates? Will service plan providers wave people away from the sale? Is the message migrating from the inside out or are just a few people trying to convince the tech media market to take up the banner?

Multitasking With TV: Where's Your Message?

People still watch television, but most people watch it differently. As many as 42 percent of U.S. consumers now say that they access the Internet via their PCs or laptops (and 17 percent access the Internet via smartphones) while watching it. Almost 25 percent of them specifically sign on social networks.

These were among the most recent findings to come out of the KPMG International 2013 Digital Debate survey, and it raises a very interesting question. If consumers are multi-tasking television, the Internet, and social networks, then where do you want your message? Or maybe there's a better one.

Can marketers count 100 percent engagement when mediums only earn 25 percent attention?

A 25 percent share of attention is probably generous. I've seen my son and his friends, effortlessly toggling between the net, networks, text messages, television, and gaming console headset. It makes me wonder how any old school marketer can hope to reach him. They can't unless he wants them to.

The majority of purchasers like him are predetermined by other factors, leaving the close of any sale based largely on the manufacturer's ability to provide on-demand advertising and a means for a seamless transaction. And he is not alone.

Ideally, marketers need to develop campaigns that touch their audiences simultaneously. For example, a television ad might introduce someone to a product, while a simultaneously-placed ad on a social network/app/Internet brings the transaction closer to completion by giving consumers the ability to respond/purpose immediately or save information for future consideration. The bigger vision is to deliver communication like it ought to be created — integrated.

Technology is right around the corner to make everything easier.

Some people, including KPMG, believe this might change as smart TVs are adopted, but it's much more likely smart TVs will be leapfrogged by the next generation technology that follows Apple and Wii in providing dual screen functionality. Dual- or triple-screen functionality marries the allure of multi-tasking with multiple screens, much like they do across disconnected devices (until they are connected by airplay or cables).

The demand for more seamless innovations been steadily increasing over the last few years. In fact, according to the study, 14 percent of U.S. consumers (mostly ages 25-34) prefer watching television on a smart phone or tablet. Chances are that many of these consumers already use cable connections or airplay to toggle mobile content onto their bigger screens. In other words, they don't even distinguish between television and digital formats. They only see screen sizes.

Catching Catfish: Always Vet The Data

Some people never feel the need to be anonymous, online or off. But other people do, with their intent ranging from noble to malignant or their reasons ranging from convenience to pre-existing community standards (e.g., most people use creative avatars and punchy screen names). It's increasingly accepted.

So, it seems, is lying. As many as 25 percent of people admit they lie online (um, it's higher), citing security as the primary reason (um, it's not), and that doesn't account for the growing number of social network accounts that are partly or completely fabricated.

The phenomenon has grown up enough that it carries a better moniker than when Mackey or Chapel stole the show. Some people refer to fictitious and semi-fictitious accounts as catfish, named after the film-turned-television series. The series premiered on MTV in November 2012. It happens all the time.

The consequence of catfish in communication. 

Catfish are the bane of big data, enough so that some social networks are starting to do the unthinkable while ignoring the more obvious breaches like the one recently shared by Amy Vernon. In creating what is assumed to be a fictional account, someone hijacked Vernon's photos and started using them as his or her own under the name 'Melissa Dugan.'

And much like the new television series, Vernon's recent story sheds some light on the impact of catfish. There are personal and professional consequences. Fortunately, she is reasonably able to cope with it so far. But one can only imagine how long (if ever) Manti Te'o will need to fully reconcile the impact of having an online girlfriend — who died and was later resurrected — who was fabricated.

Much like the documentary Catfish, some people go so far as building an entire network of fabricated profiles to support their primary fabricated account, often grabbing up other people's pictures to do it. In the documentary, for example, an entire network of fake friends validated the fictitious account.

It's one step further than what married people who want an affair do on dating sites. Instead of making up one persona, catfish make up entire communities. What they do isn't limited to individual events.

Beyond individual masquerades and into public opinion. 

While some social media experts are quick to think about how fake accounts game popularity, some catfish are specifically set up to skew public opinion. Sometimes these efforts are harmless (such as casting a few extra votes for a favorite band on a survey). But others might not be harmless, given they are used to literally mask agendas by "washing" content through five or six profiles.

Three years ago, I tracked an unsupported news release that eventually became 'validated' by news. Public opinion catfish operate in much the same way, sharing volatile content across less-volatile social network accounts to create the illusion that whatever news is being shared is credible, sometimes rewritten to appear palatable. Or, in other cases, "washing" away geographical data is sometimes done to affect the perception of public policy (e.g., online politics frequently infuses outside interests).

Organizations are equally susceptible to such campaigns. It's not all that uncommon for some angry consumers to repost singular complaints across dozens of networks and review sites (and sometimes with more than one account) in order to disparage a product or service for whatever reason (justly or unjustly). There have even been cases where black hat competitors have driven up negatives, directly (fake reviews) and indirectly (propping up real negative reviews).

While there is a need to retain anonymity online (much like there is a need to preserve social satire), the rest of it — fraud and identity theft — is the leading unaddressed challenge within digital communication. And the best course of action today, although not foolproof, is to slow down, vet the data, and then vet the data again (even if you recognize the avatar, photo or logo as a trusted source).

Failing Forward: Debbie Millman At AIGA Las Vegas

Debbie Millman knows something about failure. Most people would never guess it nowadays.

Today, she is a writer, educator, artist, brand consultant, and radio show host. Specifically, she worked in design for over 25 years and currently serves as president of the design division at Sterling Brands, a leading brand consultancy formed in 1992 with offices in New York, San Francisco, Los Angeles, and Cincinnati. She's held the position for 17 years. You know her work.

The consultancy’s client roster includes many international brands such as Procter & Gamble, Nestlé, Disney, Bayer, Google, and Visa. She has been personally responsible for working on the redesign of over 200 global brands.

While her position alone would be enough to scream success, she is also a contributing editor at Print Magazine, a design writer at FastCompany.com, chair of the Masters In Branding program at the School of Visual Arts in New York City, and hosts the award-winning weekly radio talk show “Design Matters With Debbie Millman.”

And yet, with all sincerity and despite the twinkle in her eye, Millman is among the first to say that her career never really took off until her 30s. Before that, she chalked up one failure after the next.

What does Millman think made all the difference? 

While Millman shared a top ten list of things she wish she knew before she started her career (a list that will be published on a transitionary AIGA Las Vegas site later this week), it took a question from the audience to pin it all down. When asked what was the catalyst for change, she settled on a single word after a long and thoughtful 30-second pause.

"Therapy."

The single word answer almost fell flat on the 200 or so attendees at the Jan. 25 event hosted by AIGA Las Vegas, Las Vegas - Clark County Library District and Library Foundation. Enough so, that as a speaker and instructor, I wanted to jump in and provide a greater context for what she meant. I got it, even if not everyone did.

Millman didn't mean that everyone needed to find a psychologist or therapist to find success. But what most people need to do, especially students on the eve of graduating who can't see a clear vision into their future, is to change their thinking. The greatest road block for success begins with giving ourselves permission to succeed, something Millman had admitted that she never really did until later.

"I started to choose a path that was failure proof," Millman said. "If there is such a thing."

Over the next half-hour of her presentation, she outlined a career path that chronicled one failure after the next. The worst of it included becoming the object of ridicule on one of the first design blogs ever created. The blog, Speak Up, attracted dozens of comments from designers she admired in the field.

Her revision of the Burger King logo was met with considerable scorn. But it was the blog's comments that drove the discussion away from a single logo design and defining Millman as a talentless hack.

Millman might have been able to weather the criticism had she not just recently been more or less shackled by the leadership of AIGA as not being progressive enough as a designer to hold a position on their board. (This was also despite finally finding her dream position at Sterling Brands.) Basically, it meant to her that neither AIGA designers nor anti-AIGA designers would accept her or her work.

But that was a long time ago. What really changed it for Millman was her ability to stop avoiding failures and start embracing them. In fact, Millman says that if you don't make mistakes, you aren't taking enough risks. And taking risks — not avoiding failure — is a critical step toward finding success.

You can't be successful by trying to avoid failure.

Many of Millman's life lessons are much like that. While some people might chalk it up to common sense, the truth of it is that most people are afraid to take risks, find excuses not to make them, tend to quit too soon in order to prove success is elusive, and never give themselves permission to live the remarkable lives that they dream of, assuming they ever open themselves up to dream them. I couldn't agree more.

Therapy is the right answer, but it doesn't necessarily mean hiring a a therapist. It means accepting who you are and changing your outlook about what's possible, especially if you have built a lifetime of resistance. Most people need help to do it. And it just doesn't matter whether that help comes from a teacher, mentor, friend, colleague, ideology, faith, or whatever because it sounds simpler than it will be.

We have to be open to the possibilities, work hard in actively pursuing them, and never give up in the face of failure. As Millman eventually learned, it was her failures that often opened doors for success and not the other way around. Or, as she so eloquently put it, she failed her way to a successful life.

Storytelling: Where Communicators Get Miffed

Since scheduling pushed back one of my creative projects this month, I had this idea to recycle some fictional content as a holdover until I had time to finish up something freshly original. The initial thought seemed smart. The story hadn't appeared since it was part of a juried art exhibit years ago.

It took some time, but I found the story, polished it up, gave it another read, and then decided I hated it. But undeterred, I passed it over to an editor anyway. She wasn't keen on seeing it republished either, which was secretly the affirmation (or perhaps anti-affirmation) that I wanted. Weird, I know.

The story didn't fit with my most recent body of work, and I was very curious why that might be. She offered some suggestions, but none of them felt right until it hit me. The only feeling that lingered after the last sentence was somewhere between nothing and cynicism. Everything recent hits much harder.

Yeah, but what does this have to do with marketing and communication?

It has everything to do with it, which is why I'm starting to believe that everything most advertising, marketing, public relations, and communications teachers taught you was wrong. Almost all of them miss one of the most important ingredients in content, and it's the same one clients most often miss too.

It's not their fault. Rubrics have a stranglehold on education. In the communication field, one of the most popular is the ADIA model — Attention, Interest, Desire, and Action — or any of its variations (CAB, ADICA). It's a fine model, but it just isn't enough.

There is something else at work that writers have to pay attention to. It's the ability to move beyond the call to action and connect with an emotion, which is what creates the illusion that content is a fulfilling conversation. Think of it as an epilogue of sorts that creates an emotional connection (and I don't mean a like, follow, friend, or retweet) that people will later identify with the brand.

This is why tapping into people's imagination is so important. It's also why two perfectly structured advertisements that follow ADIA or some other format are not always equal. One might follow the structure, but it misses this mysterious ingredient. (Heineken's recent viral The Date spot misses it.)

The missing ingredient includes two parts. One is an emotion. The other is fulfillment. While the former can be anything, the latter needs to linger on a universal truth. Even if not everyone agrees, it feels right.

This feeling, that the author reinforced or opened our eyes to something new but patently obvious, is what makes some storytelling work so well. Mickey Gomez really gets it, even if she hasn't analyzed it. Geoff Livingston mostly gets it because it is innate in him. Jennifer Lawson gets it, even when her technical skill sometimes slips. I get it on good days. Most writers really don't get it.

Clients don't get it either, but for a different reason. Most of them are too focused on the experience they feel, and not the consumer. In other words, they look at the content and get excited because they think it represents them. But trust me on this: Consumers don't care how good an ad is supposed to make the brand look.

The one question you should always ask about your content. 

It's not always easy because, just like clients, writers sometimes become consumed by craft. They are either taken by the cleverness of it (as in advertising), the 'sales' pitch (as in public relations), or how pretty the prose is (as in authors). All of that might help, but none of it matters.

Storytellers and content creators have to look at this stuff objectively and then ask themselves what is the feeling a non-stakeholder will be left with at the end of the story. And then they have to consider whether or not that feeling aligns with the brand and creates a connection (ideally one associated with the brand). This is where content marketing and customer experience connect.

Ergo, content is an experience ... but only when it fits. It's the lingering emotion that really counts.

Researching Colleges: Future Students Prefer Digital Stealth

Forget interviews. Forget phone calls. Forget campus visits. College bound students are researching future colleges with the click of a mouse or tap on a mobile application. Like many organizations are learning, the next generation of college student is more inclined to shop a future college online.

Almost 55 percent of prospecting students are investigating colleges every day, using social media networks and search engines over print guidebooks and direct marketing products. Almost 25 percent applied stealth to their searches, making it more difficult for colleges to pin down prospect interest or profile them based on any discernible psychographics or demographics. You know what that means.

Don't blink because your customer is invisible.

According to a new study conducted by Lipman Hearne, a national marketing and communications firm, and Cappex.com, a college search website, future students are researching schools online as early as their sophomore year in high school. And they are looking for very specific information, along with passive analysis, to determine what institutions might be a good fit for their college years.

1. Scholarship and financial aid packages.
2. Reputation in a major field of interest.
3. Affordable tuition and fees.
4. Strong academic reputation.
5. Job assistance after graduation.

In addition to prioritizing preferences, the report focuses in on prospect communication preference, noting that nearly half had visited a college's website on a mobile device (45 percent) and one in ten had downloaded an app from a college on a mobile device. What students are less interested in are text messages, unless they have an expressed interest in the school.

Students also turn to social networks as part of their research (85 percent reported having at least one social network account). And although most say that social media does not influence their decision, students frequently look for status updates, offerings, and even invitations. But what most won't do is use this information to start a conversation, poll, or ask friends for opinions on their school choices.

There is also some indication that colleges are over-marketing to students via email. The average prospect reported receiving as many as five emails from colleges that they have reached out to for information. The communication is intrusive enough that many have set a dedicated email specifically for college information. About 71 percent check this separate email account daily.

Not surprisingly (although surprising to some), more than one in three graduating high school seniors indicated that advertising influenced their application decision or influenced their enrollment decision. Students also identified online banner ads as more effective and easier to recall than other forms of advertising. Both of these statistics represent a dramatic shift in online behavior, which has previously suggested that social media is more influential than advertising. This might not be true in the future.

The Lipman Hearne study is available for a free download, but requires the typical form fill. It included more than 11,000 students as part of its survey process. It should also be noted that the research was conducted online, which sometimes skews data toward the medium where the survey was taken.

Looking beyond college bound applications and learning about consumers. 

While the study was conducted to better understand stealth applicants — students who investigate schools before and after applying to the school — it suggests that the next generation of consumers is already shifting their mindset. Specifically, more customers watch and listen to organizations without identifying themselves as potential customers. In essence, they are passive in their research.

Passive online participants (voyeurs) still represent a majority of online participation, even if many social media experts skew toward the more talkative and visibly engaged customers. But there is one difference between the voyeurs of the past and the voyeurs of the future. The voyeurs of the past were quiet because they weren't comfortable with the new tools. The voyeurs of the future know the tools and purposefully remain unengaged to avoid intrusive marketing efforts like emails and phone calls.

This could be a significant find because it seems that while the next generation of customer may be more reliant on digital research, they are also interested in remaining invisible to big data by giving off the appearance of disengagement. Note to researchers: Focus groups still require different formats.