Marketing To Hispanics: Think People First

Ten percent. That is the number of people in the United States who can trace their ancestry to Mexico. It doesn't include any other Hispanic or Latino cultural connections, which is why I'm sometimes baffled by the way companies try to segment Hispanics and the way some Hispanic organizations suggest those companies market to Hispanics.

If you ask most of these companies and consultants, they seem to think Hispanic marketing means adding Spanish messages to their marketing mix or making a Hispanic media buy. The Forbes article (referenced above) even highlights a Volkswagen spot as an example.

It features two white guys who listen to a Spanish tape during a car trip. At the end of the spot, they speak Spanish. That's it?

Don't misunderstand me, it's a brilliant little spot. But the reason that it works has nothing to do with dropping in Spanish. The spot is about gas mileage, which is a cross-cultural message. It could have been French and had the same impact. It just feels more relevant given the increasing number of people who speak Spanish (as a first and as a second language).

I might be more convinced if they added subtitles for English or dropped the subtitles for Spanish. But more than that, I don't believe Hispanic marketing simply means adding foreign flags, select fashions, subtitles, and actors who look the part. It's about doing your homework and understanding cultural values while avoiding cultural sensitivities. 

But doesn't this apply to everyone? Depending on your product and your market, it always makes sense to consider cultural values and sensitivities. It could be any group, even those that aren't based on heritage. It might include socio-economics, job description, faith, or political views too.

Likewise, it seemed disingenuous that the thrust of the article suggests that companies sustain a dialogue with Hispanic consumers rather than trying to push a message with monologue.

The secret to market segmentation is listening to individuals over groups. 

The dialogue tip isn't exclusive to Hispanics — it's a marketing lesson that includes everyone. And therein lies the problem with choosing market segmentation based on demographics alone. Marketers really need to do their homework and have a dialogue with consumers because Hispanic has become too big of a segment to work.

In the United States, for example, Hispanic is usually defined by the government as "persons of Mexican, Puerto Rican, Cuban, Dominican, Central or South American, or other Spanish or Portuguese culture or origin, regardless of race." Each of these sub-segments are as unique as the various sub-segments by the overly generic term Asian. And in some cases, those subgroups can be segmented too (Mexico is a big country, with many regional and urban-rural differences if you take the time to listen).

So where does that leave us? Hispanic marketing seems like a good idea today because research points to a rapidly growing Hispanic population that retains a significant amount of their cultural heritage (more so than many European immigrants). But over the long term, the Hispanic culture in the United States will not be synonymous with Hispanic culture as it is identified today.

It will eventually be something else, which it already has if you consider just how different Hispanics in California are when compared to Hispanics in Texas (or how different Californians and Texans are for that matter). In other words, marketing segmentation works but it works its best when marketers assess their entire customer base instead of trying to appeal to national demographics. Think global, act local.

In fact, it might surprise some to learn that the difference between Apple and Droid consumers is greater than the difference between Hispanic and non-Hispanic smart phone subscribers.

Segmenting Publics: Can Online Moms Be Segmented?

MWW published an interesting, albeit curious, survey on the behavior of moms online. According to the mid-sized agency, moms can be broken into five types as illustrated by the nifty graphic (which links to the the agency's infographic). The study alludes to the idea that not all moms are created equal.

It's very, very dangerous territory to tread; I even thought twice before sharing it. But then I thought I might offer up why over-segmentation sometimes backfires. Before I do, here are the five types of digital moms they identified:

• Mobilizers. The youngest segment (average age 33) is hyper-connected, driven by the desire to connect with friends, and interested in pop culture. They are easily influenced by celebrities and prefer mobile devices as their primary tool for staying connected.

• Urban Originals. The smallest, most influential segment of digital moms (average age 35) lives in mostly urban areas, view themselves as influencers, and frequently interact on social networks. They also create 90 percent of the content generated by moms and are the biggest influencers.

• Practical Adopters. The working moms segment (average age 45) uses digital technology to harmonize their professional and personal lives and manage their families. They are too busy to be on the cutting edge. They look to urban originals and mobilizers to keep up on trends.

• Casual Connectors. The lowest average income segment (average age 47) uses digital technology to connect with their close circle of family and friends (particularly their children) and are influenced by the preceding groups. They prefer simple technology and few have adopted smart phones.

• Wallflowers. This segment of digital moms (average age 34) prefers to browse and consume content rather than create it. More than half are full-time homemakers, and are visual and entertainment focused. These moms are highly interested in tablets, read what others share, and enjoy sites like Pinterest.

My advice? It's an interesting attempt, but never confuse online behavior with demographics. 

I've worked with lots of moms online for the better part of a decade. I tend to agree with another study that suggests moms know best. Not some of them or certain segments, but all of them all the time.

Beyond the case studies I mentioned in the moms know best brief, I've also seen them at work on very large-scale projects that range from the cancellation of the television series Jericho and shaping of Days Of Our Lives to social good campaigns like Human Rights and March of Dimes (and scores of others).

And in observing or working with all them (including the demographics captured by MWW), I've noticed only one thing is certain. When faced with an issue they care passionately about (or their friends feel passionately about), moms will jump these so-called spheres faster than you can blink.

Further, the concept of micro-targeting along these lines is also fraught with peril and misses opportunities. You never really know when a wallflower might become the rally point or pass it to her long-time friend who happens to be a quasi-celebrity. In fact, it was one of these under-the-radar moms that connected the Bloggers United: Human Rights campaign to Amnesty International because she was only one degree of separation away.

If you want to create a micro-targeting effort, don't consider supposed behavior styles as the model to follow. What you really want to do is look at their areas of interest, which is how most people are motivated online. Don't waste time chasing influencers because they don't exist. Nurture relationships with like-minded people. Otherwise, you might as well start assigning them klout scores.

Making Bottle Rockets: Plan, Test, Execute

The unceremonious flight of my son's science project took place on the night before the project was due. The bottle rocket that his teacher intended to jettison 20 to 50 feet in the air using water and compressed air sailed through the air on its own, not outside like it was intended, but inside after it was hurled across room in frustration.

"What the heck?!?" 

"It's not working. Humfph,"was all my son said.

He had an ambitious idea to bring more than a neon green 2-liter bottle to school for his experiment, which is a good thing. But he also had the idea to mount the thin edge of his air foil fins to the outside of the bottle, which wasn't such a good thing. There simply wasn't enough surface area on the fin to attach it to the curvature of the bottle. 

That in itself wouldn't have been a big deal. What was a big deal was that it was already 9 p.m. and the project was due the next day. He needed a redesign, which also required me to keep some of my parental angst about procrastination from adding too much insult to injury (although I might have mentioned an X-box vacation; meaning for the X-box, not him). 

Three little words that could save most small business social media programs. 

Plan. Test. Execute. Those three little words that could have saved my son's bottle rocket from suffering the same fate as the Vanguard TV3, which was the first attempt of the United States to launch a rocket into outer space and crashed onto the liftoff pad after flying four feet. It could also save most small business social media programs. 

What my son did to his science project is what most people do in social media. Whatever they see being done looks so easy and effortless that they rush toward completion. But the rub of this kind of thinking is always the same. If it looks so easy that anybody could do it, it's anything but easy. 

This is why social media programs are launched every day without any foresight. Many small businesses (and big businesses too) take the advice of enthusiasts to jump right in for success. But much like the thin edges of a foil fin, they never plan their with enough surface area to stick. 

What surface area am I talking about? Content that connects. If you haven't planned out the kind of content you are offering — articles, videos, white papers, bon mots — and why that content might be important to the people you want to attract, who's going to care about what you share? (Certainly somebody will care, just not the millions that seem to make up most social media success stories.) 

Plan. What topical spheres make sense for your customers? How often will you be able to produce it? What do you intend to do when you don't have anything to produce? How does it contrast against what everybody else is already offering? And what's going to make it stick with your select group?

Test. Just because you can think it, doesn't mean it will work. I still remember one of my marketing teachers (a former engineer) who lamented having built one of the first working hovercrafts in the 1970s. They built and sold a few, just not enough to keep the doors opens. 

Execute. Once you are reasonably sure the idea will work, then you can execute, measure, and adjust. And, if you have enough foresight, it might not be a bad idea to have a contingency plan too. The web's virtual landfills already have too many abandoned blogs and social network accounts. 

For my son, the solution was easy enough. While I feigned disinterest to see what he was going to do, I sketched out three possible solutions. He could glue pre-slotted cardboard panels to the bottle, with the fins sliding into the slots. He could cut the fins, splaying the bottom inch or so to create more surface area. Or he could find clear packing tape that would provide support on both sides of the fin. 

The testing phase ruled out the first two ideas. There was no more cardboard and cutting the fins carried too much risk. Using the clear packaging tape was perfect, maybe even better than anyone hoped. It held the fins in place without obstructing the paint job. For additional stability, he added drops of glue at the top and bottom of all three fins, where they connected to the bottle. Done.

Sure, had he invested more time into the planning, the fins might have even been shaped to be more aerodynamic in order to give his bottle rocket more lift. But considering the quick fix became the contingency plan, he settled for cosmetics. Some social media plans do too, but never as well as they could have if someone had sketched out a plan before they hit 'join.'

Changing Media: PR Pros Need To Follow

While more public relations pros (those that aren't too niche) know the scope of their work exceeds media relations, it's still important to keep up with some of the changes journalists are making every day. Recently, Ragan's PR Daily highlighted one change. Phone interviews are becoming past tense.

Ragan Daily cites a number of reasons that this is becoming true, including the relative ease of finding sources on social networks. But even more than that, most people (reporters and sources) agree that email interviews can sometimes be more efficient.

Every question is laid out. Every question is answered. The margin of error in misquoting someone is almost eliminated. And there are no wasted minutes trying to navigate the chain of command to sync something as a schedule to make the call.

The trend can easily be debated. There are plenty of reasons reporters would want to conduct a phone interview or possibly conduct one in person (especially if they want to sniff out a better story). There are also plenty of reasons a client might want one too (it creates a better opportunity to establish a rapport).

Journalists are evolving beyond email interviews too; public relations pros take note. 

When Bruce Spotleson, publisher of Greenspun Media, spoke to my Writing For Public Relations class a few months ago, he was very clear about changes that are occurring in journalism. And much of it doesn't sound like journalism as most public relations pros were introduced to it.

Nowadays, journalists are asked to consider the tone of a story for the web as well as print. All of them take cameras wherever they go. Most of them are armed with video cameras (or smart phones too).

Understanding social media is an absolute must. Not only do they use social networks for sources, but they listen intently — looking for potential stories, trends, and the occasional dust up. The idea that journalism is somehow separate from the Internet anymore just doesn't ring true.

Along with a more visible presence online, many are being asked to be more presentable offline. I'm not talking about suits and ties like journalists wore before becoming an acknowledged profession. But I am talking about being presentable enough to appear on camera or, on occasion, bring eyewitness testimony to bear on specific events. Even if the paper never runs the video, all of it makes for great archives.

All in all, the future journalist is going to be much more malleable with the times, virtually fusing the distinctions that people used to see between print reporters and television news teams. In the very near future, they will be one and the same with some emphasis on web trends.

Right, newspapers are tracking web trends with IT departments making suggestions based on which stories are read, how long they are read, and how much they are shared. While this doesn't necessarily mean reporters won't use old-school strategies for investigative pieces, it does impact the general fodder that is published every day — and might even impact which sources are chosen long term.

Where public relations professionals ought to take note if they haven't already. 

Ten years ago, it was relatively easy to distinguish strategic communicators (e.g., corporate communications) with public relations. Strategic communicators were most commonly generalists in their practice. Public relations professionals were generally specific, with an emphasis on external communication to specific publics (of which the media were one).

Anymore, it's not so easy to tell the difference. Public relations professionals and corporate communication professionals pass tasks back and forth all the time. And who is responsible for what is more dependent on the employer than the field.

Still, I don't think corporate communicators will be the driver to change public relations. I am starting to believe media will be the driver. If journalists become multifaceted professionals who are social media/social network savvy, video proficient, and occasionally offer on-air commentary, then it stands to reason public relations professionals will have to match those skill sets and then some.

Appreciating Education: Lessons From Five Teachers

"The most decisive factors in education are the student's hunger for knowledge and willingness to learn, coupled with the teacher's passion in their material and faith that the student is capable of learning anything." — Rich Becker

After teaching as an adjunct instructor for continuing education at the University of Nevada, Las Vegas, for more than 12 years, I don't believe anything else matters in education. It's one of the things I learned this year from my gang of six (the smallest class size since I started teaching).

After I racked my head trying to determine why this group broke all previous records and vetted every other possibility, there wasn't anything left. These students delivered 100 percent attendance, 100 percent assignment completion, 100 percent rewrite completion, and did extra credit (even if they didn't need to).

Every student showed marked improvement, approximately two letter grades, with four of the six either earning or having the potential to earn better than 90 percent. In other words, the equivalent of an "A" in a professional field that I frequently tell students consistently produces "C" level work, with few standouts.

In previous years, only one student typically scored better than 90. Last year, not even one of them did.

My original thought was that their performance was the by-product of class size, the general evolution of my presentation material, or because I literally read the five things writers need to teach themselves out loud. But it really wasn't any of those things. At the end of the day, this class was hungry for knowledge and had a willingness to learn. It made my job easy because I am passionate about communication (especially written and visual communication) and believe anyone can learn it better than the industry's low standard.

Teacher Appreciation Week Is May 7-11, 2012. 

This week is Teacher Appreciation Week. And even though teaching is something that I can only afford to do part time, I thought it would be fitting to thank five teachers who probably had the most influence on how I teach today, along with what they taught me beyond their subject material.

• Richard Pyle (7th grade, junior high school). He taught me to always work outside comfort zones because it is outside our comfort zone that we are most likely to find something that will change our lives.

• Ms. Duffy (9th grade, high school). She taught me that we're not doomed to repeat history as long as we're smart enough to study it and understand it without putting our own bias into it.

• Betty Sabo (9-12th grade, high school). She taught me that we alone ultimately make our own choices and, in doing so, determine whatever outcomes come our way.

• Warren Lerude (sophomore/senior year, college). He taught me how perception makes most of us only one or two questions away from changing our minds despite our strongest convictions.

• Ron Cooney (junior year, college). He taught me the most clever idea in the world isn't worth beans unless it can be executed and then presented in such a way that it delivers results.

These lessons had an impact on how I teach because I include them in my own lessosn: the importance of research, the ability to be empathetic, the character to be accountable, the courage to challenge ourselves, and the fearlessness to pursue our dreams.

It might not be what one expects from people who taught subjects like reading, history, forensics, media law, or copywriting. But one has to have an open mind for those teachers who have the audacity to believe in you. I'm grateful. And I hope that you have teachers who have touched your lives too.

Learning From Rock Stars: Mike Posner On Brands

Ever since I can remember, people have likened being in social media to being a rock star. But is it really?

After watching the Vans Warped Tour: No Room For Rockstars this weekend, there is little doubt in my mind. There really isn't a parallel between social media and the music industry — unless, of course, you really do have an act.

"At the end of the day, I'm a brand, you know. Well, me as a person is not a brand," says Mike Posner. "But me as an act, Mike Posner, is a brand."

At 24, Mike Posner gets it. He is signed with RCA. As a pop/hip hop artist, he is as good or better than anyone in his genre. He also has 1.7 million Facebook likes, better than most "social media rock stars."

Although I admit that his music isn't my thing, Posner is the real deal. And the reason I admire him is that he understands the difference between brands (acts or companies) and individuals (people). At the same time, he also understands the value of the brand and why it's important not to blow it.

"Every piece of music that I put out is part of that brand," says Mike. "Every partnership that I enter into has to make sense to my brand. Or, I don't do it."

A few days ago, I wrote about why a brand is not a person and how to be a person without worrying about your brand. But like most posts that touch on personal branding, the only people who really read them already understand the difference between brands and people. The ones who don't understand the difference are more inclined to read something else like, you know, how to improve your online brand.

This is also one of reasons that I liked Posner's insights so much. There doesn't have to be a distinction between your so-called personal brand and professional brand (unless your professional brand is an act) because the context defines the difference. Posner can be a bit different on stage than he is off stage.

In fact, another artist on the Vans Warped Tour: No Room For Rockstars lamented that sometimes he struggles with who people want him to be. Another talked about how much they appreciate every fan (without asking for influence scores and online credentials). And yet another said that the music and business are different, enough so that it often pays to keep them separate.

But unlike rock stars, most professionals aren't supposed to be different on stage and off because, unless they are speakers/teachers on a stage, there is no stage. Online, people want professionals to be authentic much like they want rock stars to be authentic. And, for the most part, they are some of the most authentic, down-to-earth people I know. Why? Most of them save the acting for their performances. Right. The better the performances, the less you need to worry about the brand.