Branding Employees: Chapel vs. Dell

While Tamera Kremer at Wildfire was covering the debate between RichardatDell and the fictional AmandaChapel on the value of making brand ambassadors out of employees, Adweek was covering Zappos.com. Zappos has already moved full steam ahead and is one of many companies that already consider employees brand ambassadors online.

In fact, according to the story, the vast majority of trial and repeat business at Zappos.com is driven by word of mouth and employees. Brian Kalma, director of creative services and brand marketing, employs the term "people planning," arguing that each employee needs to be a great point of contact with customers.

Indeed. So where is the debate?

Based on the comments on Wildfire, it seems Chapel was taking the position that “front-line folks that you’ve assigned to the ‘conversation’ on Dell’s behalf, particularly your Twitter social-media team, are making a complete mess of it.”

Richard has defended the Dell position by saying “We believe that social media helps us foster direct relationships, not just transactions with our customers. Think about your own customer relationships and to what extent they rely on the personal and professional interactions that you have.”

Amazingly, the debate seems to have some social media participants questioning the need to distinguish personal and professional brands online, a notion that seems contradictory to any sense of transparency that social media practitioners claim is critical to success. As I noted on Twitter, "trying to separate personal and professional brands is like arguing that you are a different person when you wear jeans or a suit." We can pretend people are somehow different, but it’s really not true.

Still, that is not to say employees acting as brand ambassadors can enjoy a free-for-all online. Common sense suggests if you wouldn’t say something to a customer offline, it’s probably a good idea to avoid saying it online, where it can be archived forever.

Look offline for online behavior guides.

This isn’t rocket science. The best companies already know that employees tend to be the best brand ambassadors, provided the company benefits from a strong internal communication program.

One of the examples I frequently share in explaining the impact of external public relations on internal audiences is how two different utility rate cases turned out. Without sharing the specifics here, one company started with a proactive internal communication program so by the time the rate case hit the papers, employees could explain the reasons behind the rate increase with friends, family, and neighbors. The other did not. The results were dramatically different, with one rate increase succeeding and other quickly turning into a crisis.

My point is simple enough. Front line employees have always been brand ambassadors. It’s not a new concept. So maybe the real question is: do companies realize blogging is front line communication and are they educating their employees well enough for them to deliver a return? Apparently, Zappos does.

Earning Distinction: HWH PR

HWH PR was apparently awarded the Bad Pitch Blog Lifetime Achievement Award for the worst in public relations yesterday. This dubious distinction comes after two years of spamming bloggers, journalists, and anyone else who might be unfortunate enough to make their mass blast email list.

The Bad Pitch Blog sums up its assessment as “Blasting news releases to anyone with an email address and ignoring their replies is not practicing media relations – it’s spamming.” Case in point, HWH PR is the one reason I won’t write anything about MyClick technology and everything about MyClick’s inability to hire a public relations firm that knows what they are doing.

Even after writing a post that outlined several shortcomings of the so-called public relations firm (without naming it) and asking to be removed from all future pitches, HWH PR continues to send me one poorly written pitch after another, with the most recent from Lois Whitman landing in my spam folder just last month. The release is nothing more than an embarrassing exercise in turning client news into non-news:

Visitors to China Mobile’s Pavilion at the Beijing 2008 Olympic Games Exhibition are experiencing MyClick’s unique breakthrough image-matching technology. The MyClick technology allows visitors to access instant information and pass on their best wishes to the Olympic Games with just a few clicks on their mobile phones.

One would think even a first year student of public relations would be able to find some semblance of a news story for an upstart company landing some space at the Olympics, but not HWH PR. They trivialize any hope of a hook to the point of absurdity. Even if I could have salvaged the story for them, I already know that it is a complete waste of time to contact this firm.

They have no idea who they send pitches to and don’t want to be bothered by the people they pitch. It’s about that simple. Other HWH PR “spam, don’t speak” clients include Samsung, Westinghouse Digital, and Dotster.

Creating An Industry, Or Not: Social Media

J.W. Sass, vice president of business development with Myxer, seemingly inspired by “The Future of Social Media: Hope or Hype?” by Jason Falls, wrote his own post declaring “Social Media is NOT an Industry.” Sass further expands on the idea in his comments, saying that social media is core communication, a sharing and feedback process widely used for both personal and business exchanges, internally and externally.

He might be right. Maybe social media is not an industry.

It might be emerging as a field of specialization, which addresses Falls’ comment that “… I do think there will always be specialists, always be conferences, always be professional development groups and opportunities relative to social media and, thus, there will be an "industry" around it. But until social media, the practice or the tools, are ubiquitous and universal, there are people (like me) who make a living doing it. Thus, an industry does exist.” Possibly, but probably not.

Sure, we could take the broadest definition of an industry — the category describing a company's primary business activity — and make it stick. But we could apply that definition to any number of services and claim those are industries too, even if they are not.

Writing, for example, is generally not considered an industry even though it also passes the broadest definition. Instead, writing is generally assigned as something one does for another industry — advertising, publishing, film, etc. Likewise, graphic design is generally not regarded as an industry. Acting does not seem to be an industry unto itself. Web site development isn’t really an industry.

For social media to become an industry, I imagine it would have to demonstrate its fundamental uniqueness of service much like advertising did in the 1920s and public relations did in the 1950s. That seems unlikely to me as advertising, public relations, marketing, publishing, and even IT all have an increasing stake in it and communication continues to trend toward integration.

Does this preclude social media specialists? Not at all. Does this censor some experts from promoting it as an industry? Absolutely not. Does it mean mainstream media will eventually succumb to being part of something it once loathed, simply because it moved into this space as its most viable means of self-presevation? Yeah, right.

But there is something else. Does social media even want to grow up into its own industry? After all, becoming an industry usually involves corralling a discipline, which almost seems contrary to the freedoms that seem to be pushing it forward.

Mocking Politics: Adweek & Agencies

Adweek recently challenged several creative directors to sell the next president of the United States. According to the special report, several declined and some took to tongue-in-cheek humor.

After the fine folks at The Rosen Group brought the special report to our attention, my team thought it might be fun to review some of these faux campaign concepts (here). After all, I’ve often felt that not all advertising agencies are cut out for political campaigns — the work sometimes leans too creative to really resonate with voters. Am I right? Let’s find out.

Mike Byrne, Anomaly: Disqualified

It’s not that we don’t like Byrne’s industry twist on the assignment that pits McCann Erickson against Obamaly (as opposed to McCain vs. Obama). We like the "agency as opposed to politics" spoof as well as well as the obvious old vs. new parallels that drives it. Unfortunately, it veers too far off from being applicable for this post.

John Butler, Butler, Shine, Stern & Partners: Below Average

Butler’s first contribution borrows the well-known 1984 re-elect Ronald Ragan spot and points out that Obama doesn’t have to run against John McCain. I’ve always had mixed feelings about the "choose a different opponent" approach. Why? “Running against others” has a relatively low success rate. Much funnier (though neither would make it) are his billboard contributions: the McCain billboard that declares “God is my running mate” while Obama’s reads “It’s Obama Time.”

Peter Nicholson, Deutsch: Not Good

Nicholson tosses in a refreshed “I Want You” poster with McCain playing the part of Uncle Sam. The supporting copy reads: … to feel sorry for my POW ass. While the Obama campaign team would have to pass, it might fly as an independent expenditure. Nicholson seems to have caught that McCain’s POW experience isn’t resonating with voters this cycle as it did when he ran against George W. Bush.

Jamie Barrett, Goodby, Silverstein & Partners: Average

Barrett doesn’t pick sides, except the one against political advertising. He positions McCain as the 174-year-old candidate and Obama an as the “?” candidate. He makes the right point, but without the payoff. What we do like, however, is Barret’s conclusion that “maybe, just maybe, they [voters] should pay less attention to half truths they see on commercials and think a little more for themselves.”

Tom Amico, The Kaplan Thaler Group: Above Average

Amico comes to the same conclusion as Barrett. For Obama, the contribution reads “I’m black” over and over again. For McCain, it reads “I’m old” over and over again. Both posters are summed up "If this is all you're hearing, you're not listening." Sure, the conceptual behind the ad has been done more than once, but it still edges out Goodby, Silverstein & Partners because the point he’s making seems to stick with us long after the ad is over.

Nick Law, R/GA: Good

Law’s motion billboard gives people a “Make History” message for Obama and a “Repeat History” message for McCain. It’s amazingly effective at targeting the emotions of those unhappy with the administration while driving home the point that McCain might represent more of the same. Law doesn’t let Obama off the hook either. He turns Obama into a Macy’s parade blimp, reading “Overblown.” I didn’t like the Obama take at a glance, but it starts to stick after repeated viewings. We have to give it up for Law. Both ads have the potential to work.

Scott Duncan, T.A.G.: Below Average

Duncan shoots for simple with both campaign ideas. He suggests placing a straightforward “Obama” billboard in key locations, like a steel factory setting. I liked the idea at first, but pulled back from it after it started to resemble a foreshadow of things to come. Likewise, dropping the “Mc” from McCain and running with the ‘Cain seemed okay. But over time, the initial attraction wears off and you start to wonder whether the new brand name will break down.

Rob Schwartz, TBWA: Average

Schwartz has a somewhat subversive idea by asking the world to vote for president of the United States, playing off of Obama’s global momentum. Is that a good thing? He does the same with McCain, making McCain a global action figure. Is that a good thing? The sad reality is Americans would likely be as mixed on these messages as they seem to be on the candidates. I give Schwartz some props; his additional ideas are worth the read.

So there you have it. Advertising can amuse us about the political process, but the industry doesn’t always translate well for politics. Somehow, political campaigns are different. Of the creative directors brave enough to have some fun, only Law seems to come close to a deliverable. And that makes me wonder too. Was any of this fun worth any of the comments that concluded every campaign a disappointment. I don't know.

Las Vegas Agency Example

But what I do know is that we recently found a local advertising agency attempting to play politics with equally disappointing results. After going to great lengths to hide their ownership of a smear blog aimed at State Sen. Bob Beers, Drex in Las Vegas outed itself after accidently posting the blog's project files on their agency site (right alongside a client roster that includes Sen. Bob Beers supporters).

Considering the secret campaign is reported to be a $1 million attack fund against Sen. Bob Beers (so his opponent does not have to attack him), we thought it was an amazingly amateurish mistake. It was also amateurish for Drex to reinforce its first half-truth post with an anonymous comment written by the same writer who wrote the post.

I guess that gives a lot of weight to speculators who said that advertising agencies would have a hard time resisting black hat social media. Comments by anyone else are, naturally, moderated.

Seeing The Real Green: Modesto

Modesto, Calif. is located in Stanislaus County, an area that grows more than 250 commodities, anything and everything from apricots (called “cots” there) to walnuts. In fact, the $1.3 billion agriculture industry employs more than one-third of the population.

But rich farmland is only part of the story in Modesto. After the harvest, much of the produce is often shipped to canneries and processing centers, powered by boilers that are facing tightened emission regulations — particularly as they relate to nitrogen oxide (NOx) and carbon dioxide (CO2) emissions.

That’s were I’ve been for the last few days, touring several processing centers and gathering base information for a special report. The report was commissioned by Benz Air Engineering, a company that evaluates power systems and then determines the best combination of new technologies and retrofits to reduce fuel consumption and emissions in the boiler room, which is the heart of any processing center.

What’s especially significant about the work done by Benz Air Engineering is that it allows these centers to maintain peak operations without overly expensive alternative energy solutions, the installation of new boilers, or the additional cost of emission penalties. All of which you and I would eventually pay for at the local grocery store, which is already experiencing double digit price jumps.

While the tour was an eye-opening crash course in mechanical engineering, there was something else that stood out to me. Most public relations and communication professionals aren’t prepared to communicate green, which is why some programs eventually fall flat. Sure, General Motors seems to be doing an adequate job, but green communication requires something more than slapping a green or blue sticker on a company Web site.

The future of green communication is going to require communicators to get their hands dirty at the source while remembering that multiple publics depend on different communication strategies to stay moving in the same direction. As it stands now, I no longer sure the general public knows what it means to be green or that their efforts to preserve the planet might adversely affect the very industry that seems to epitomize green in their minds.

Maybe it's time to forget fancy ideas for now — like Steron’s marketing snafu that overshot on the concept of free energy or cars that run on veggies — and think in terms of what might work with today’s infrastructure. According to Benz Air Engineering, the solution is simple. Increasing plant efficiency will dramatically reduce nitrogen oxide (NOx) and carbon dioxide (CO2) emissions. How much?

Just one of their retrofits reduced the nitrogen oxide (NOx) emissions of one boiler from 30 parts per million to 6 parts per million. And, because the boiler is operating more efficiently and burning less fuel while delivering the same output, CO2 was reduced 20 percent. What does that mean? Maybe it means that the backbone of American manufacturing and processing isn’t exclusively reliant on alternative fuels or the increased production of natural resources. Maybe we just need to make more efficient use of the energy we have on hand.

By doing that, it seems to me, plants could not only appreciate an immediate cost savings and financial payback in less than two years, but the overall cost of fossil fuels might level or drop in the short term as the result of diminished demand. At the same time, we all benefit from a greener planet without placing additional hardships on farmers.

In other words, we might not need to polarize environmental communication in the presidential debates between John McCain and Barack Obama. Maybe, we just need to be more efficient with our energy and our communication about it.

Celebrating Mars: Fans Cheer Rumors

Reporting with an exclusive, Michael Ausiello with EW.com just fueled the fire in the hearts of Veronica Mars fans. According to Ausiello, Rob Thomas had an impromptu meeting with Kristen Bell to discuss a Veronica Mars movie.

"It's very tough to focus on it right now with two pilots on my plate," Thomas told EW. He is reworking a resurrected series called Cupid and an adaptation of the New Zealand series called Outrageous Fortune. "But as soon as I have any free time, that's my top priority."

The reason for the continued interest in Veronica Mars? The fan base, which assembled too late to save the series, has maintained that slow and steady is the pace to see Veronica Mars on, this time, the silver screen. They seem to right too. Bell admitted she misses the show and is bullish (while pretending to be modest) on the idea.

I started covering the fan base efforts more than a year ago as fans from three different cancelled series came together using social media to save their shows. At the time, Veronica Mars seemed the second most likely to succeed and a different show seemed to be an easy favorite as long as the fans stayed focused.

Things quickly began to change from there, demonstrating that social media is indeed merely a tool with mixed results that seem dependent on leadership. By the end of the year, Veronica Mars fans were able to exhibit that they had exactly that.

Sure, they may have smartly given up on short-term hopes to see the series return, and began to focus on making new fans while winning over the hearts of everyone they came into contact with in much the same way that BrownCoats gave Firefly its shot on the silver screen.

While Neptune Rising is still fairly far off from hearing a Veronica Mars movie has received a green light, everything seems to be working in the fans’ favor. In short, they were able to help boost Veronica Mars from a fan favorite into something that resembles a true future franchise.

It’s not out of the question that Thomas could take Veronica Mars anywhere — picking up where season three left off, her first year at the academy, with her own start-up detective agency, or anywhere for that matter.